SOUND & MOTION STUDIOS
Facilities
Cinema / ADR
- Designed in collaboration with Dolby Labs
- Dolby Atmos HE and Premix Enabled
- JBL Reference Theatrical system, THX Approved
- Wild & Marr Designed Installation
- Digico Digigrid for ADR and Loop Group
- Pro Tools Ultimate and Nuendo
- Avid Eucon Protocol
- 5.5m/225″ Wide format screen
- 9.2m x 6.65m x 5m dub stage
Music Studio for Bands and Film Scores
- Dolby Atmos Music enabled
- 75m2 (807 sq. ft) Live Room with Booth
- 6m/20ft height
- Audient 8024-SP36SE Analogue Console
- Stereo and Atmos HE Monitoring, ATC SCM50ASL, MTM iLoud and Yamaha NS10
- Outboard includes Universal Audio, Lexicon, Focusite, Bricasti and Neve
- Analogue processing includes EMT 140 plate, Otari MTR90 Mkii, WEM CopyCat tape delay
- Synths include Roland, Nord, Korg, Access
- Backline includes Kohler and Campbell baby grand, Peavy Classic 30
- Premier & Gretch Drums, Chicago Cottage Organ
- Various instruments
- Mics by Neuman, Shure, Rode and DPA (on request)
- Nuendo, Pro Tools, Reason, Waves, RX, Soundtoys,
Editorial
- Stereo and 5.1 Editing
- Monitoring by B&W
- Voice Over Recording
The Foley Stage
- “Exterior” and “Interior” spaces
- Designed by Hollywood Foley artist, Michael Broomberg
- Versatile surfaces
- Wide Range of props
- Water works and pit
- Monitoring via dub stage, translation guaranteed
- Rooms for large and small projects
Mastering
- B&W 800 and 600 series Monitoring
- 5.1 and Stereo Mastering
- Nuendo, Wavelab, RX, Nugen mastering tools
